The Toilers of the Sea
The Toilers of the Sea

I had the privilege of conversing with Andrew Chater for the introduction to Smith & Taylor's (an imprint of Unnamed Press) publication of Toilers of the Sea by Victor Hugo. Andrew Chater and I discussed collecting and industrial capitalism; many thanks to him, Allison Miriam Woodnut, and Cassidy Kuhle. The book is available now if you'd like to preorder it.

Keynote talk at the University of California, Davis Coastal and Marine Sciences Institute Symposium
Keynote talk at the University of California, Davis Coastal and Marine Sciences Institute Symposium

I had the pleasure of giving a keynote talk at the University of California, Davis Coastal and Marine Sciences Institute's Spring 2024 Symposium. My talk was titled "Approaching the Unquantifiable: Creative Feminist Methods at the Water's Edge." Many thanks to Brooke Benson and Tracie Hayes for the invitation!

Three poems in Space on Space
Three poems in Space on Space

I am grateful to have had three poems, "spontaneous land trust," "a vulture on every post," and "salt the leeches" published in Space on Space. These are from a new project on rural life, labor, love of person and place, and intergenerational healing work.

Review of "An Ocean Garden: The Secret Life of Seaweed" by Josie Iselin
Review of "An Ocean Garden: The Secret Life of Seaweed" by Josie Iselin

I had the pleasure of reviewing Josie Iselin’s “An Ocean Garden: The Secret Life of Seaweed” (Oregon State University Press, 2023) for Humanties and Social Sciences Net Online. Many thanks to Daniella McCahey for commissioning me to write this!

Performance at Place Settings
Performance at Place Settings

I performed a piece on big-wave surfing, gender, and petrochemical imperialism at Place Settings in Los Angeles on January 17. The event was organized by Anya Ventura and Laura Nelson and reviewed at the Los Angeles Review of Books by Danielle Monique.

Reading at Cruise Control Cambria
Reading at Cruise Control Cambria

I had the absolute pleasure of organizing and reading at a poetry reading at Cruise Control Cambria on November 19, 2023. Thanks to Gabriel Seaver, John Goodhue, Jordan Chesnut, and Kathryn deLancelotti for also reading, and to Charlie Smith for hosting us! Photo courtesy of Charlie Smith.

Interview on The Wednesday Investigations
Interview on The Wednesday Investigations

Jeremy P. Bushnell interviewed me about my music, poetry, archival approaches, and relationship to the ocean for his series The Wednesday Investigations, published on November 8, 2023. Photo courtesy of Kris Daum.

Talk at Cal Poly San Luis Obispo
Talk at Cal Poly San Luis Obispo

I gave a talk, “Sea-level Fingerprints, Perigean High Tides: Creative Feminist Approaches to Marine Science” in the Biology Seminar Series at Cal Poly San Luis Obispo on Friday, October 27, 2023. In this transdisciplinary talk, I discussed creative approaches to feminist marine science using concepts of relationality, world-ecology, and artistic research.

3 from Hold Fast at Geographic Indigenous Futures of the Salish Sea
3 from Hold Fast at Geographic Indigenous Futures of the Salish Sea

I performed three excerpts from my manuscript Hold Fast at the 2023 Geographic Indigenous Futures Symposium, Geographic Indigenous Futures of the Salish Sea on July 6, 2023. Many thanks to Dr. Niiyokamigaabaw Deondre Smiles for the invitation!

Holding Sway and the Politics of Form
Holding Sway and the Politics of Form

I co-edited, with Dr. Melody Jue, a collection of photo essays for the University of California Humanities Research Institute’s Foundry, Holding Sway: Seaweeds and the Politics of Form. These photo essays touch on Indigenous land and water management in the face of ongoing colonialism, legacies of militarism in the oceans, feminist friendships, and much more.

Talk at Gesellschaft für Anglophone Postkoloniale Studien (Association for Anglophone Postcolonial Studies') Annual Conference
Talk at Gesellschaft für Anglophone Postkoloniale Studien (Association for Anglophone Postcolonial Studies') Annual Conference

Performance and talk on chapter from doctoral research, “Ecotoxicology: The Santa Barbara Channel, the California Current, and Invisible Violences,” connecting oil extraction and feminist political economy on colonized Chumash land. Photo: Maya Weeks.

Presentation at California Estuarine Research Society's Annual Conference
Presentation at California Estuarine Research Society's Annual Conference

Presentation on preliminary research, “Seagrasses and Sound Pollution through a Feminist Lens,” on marine social science with creative methods at the California Estuarine Research Society’s Annual Conference as a California Sea Grant State Fellow, April 2023. Pictured, from left: Tanya Torres and Maya Weeks. Photo courtesy of Tanya Torres.

"Weird Tide," song in collaboration with Wind Tide (Andrew Weathers and Gretchen Korsmo)
"Weird Tide," song in collaboration with Wind Tide (Andrew Weathers and Gretchen Korsmo)

Wind Tide invited me to collaborate with them by contributing vocals to a song on their album Sings. It’s called “Weird Tide.” The gorgeous album came out on Cached Media in November 2022.

Exhibition at Dörren: Det visionära tomrummet/The Door: the visionary void
Exhibition at Dörren: Det visionära tomrummet/The Door: the visionary void

I exhibited at Dörren: Det visionära tomrummet/The Door: the visionary void at Vague Research Studios in Gothenburg, Sweden from October 7-30, 2022. A conversation between myself and Dörren/The Door curator Dr. Kajsa G. Eriksson is online on Vague Research Studios’ website.

Surfing the Tides of History in Northern Chumash Land
Surfing the Tides of History in Northern Chumash Land

Essay published in Zócalo Public Square, August 2022.

i am learning about space
i am learning about space

A song with a music video, “i am learning about space,” has been published in POOL Magazine issue 7, Float, July 2022. The issue is for sale here and the video is available to stream for free here.

from "Barnacle"
from "Barnacle"

An excerpt of a poem, “Barnacle,” from Hold Fast, a book of poetry I wrote for my doctoral research, in Paperbark Literary Magazine Issue 03, April 2022.

Tethers
Tethers

Album, Tethers, out on Full Spectrum Records, December 2021. Available for purchase on Full Spectrum’s Bandcamp page as both a digital download and a limited edition cassette. Co-produced with Andrew Weathers with cover art by Gretchen Korsmo.

Maya Weeks' Ph.D. Exit Seminar

Ph.D. exit seminar on my doctoral dissertation using qualitative and artistic methods, “Death to Disposability: Marine Debris as Violence,” November 2021. Available to view here.

Niche Oceanographers
Niche Oceanographers

An excerpt from Hold Fast, “Niche Oceanographers,” in Smooth Friend, August 2021.

from Purity Subscription
from Purity Subscription

An excerpt of a poem, “from Purity Subscription,” from Hold Fast, in issue 17 of g u e s t: a journal of guest editors, edited by Melanie Dennis Unrau, June 2021. Available for purchase here.

Artistic Research in Bodega Bay
Artistic Research in Bodega Bay

Reflection on my artistic research in Bodega Bay as a Russell J. and Dorothy S. Bilinski Fellow at the Bodega Marine Laboratory on the UC Davis Coastal and Marine Sciences Institute’s blog, May 2021.

Hold Fast (Temporary Painting)
Hold Fast (Temporary Painting)

A poem from Hold Fast, “Hold Fast (Temporary Painting),” in Living Room Light Exchange’s Publication 5, Rare Earth: The Ground Is Not Digital, October 2020. Available for purchase here.

from Plastic Martyr
from Plastic Martyr

Excerpt of a poem, “Plastic Martyr,” from Myth of the Garbage Patch in Tarpaulin Sky Magazine, August 2020.

Paintings in Two If By Sea
Paintings in Two If By Sea

Two paintings, “I Have Been Being Demanded To Be Absolutely Tuned In To My Intuition At All Times” and “Adult Lamprey Sighted in San Luis Obispo Creek, Cries ‘Loosen Up’“ in Two If By Sea: A Journal of Water, Volume One, July 2020.

Reading from Myth of the Garbage Patch on Decentralized Sonic Quarantine Network

Reading from Myth of the Garbage Patch on Decentralized Sonic Quarantine Network, March 2020.

Presentation at UC Davis' Feminist Futures Research Symposium
Presentation at UC Davis' Feminist Futures Research Symposium

Presentation of excerpt from dissertation chapter, “Death to Disposability: Marine Debris as Violence,” at the UC Davis Feminist Research Institute’s Feminist Futures Research Symposium, January 2020. Pictured, from left: Maya Weeks, Mercedes Villalba, Anuj Vaidya, and moderator Clare Cannon. Photo: Maya Cruz.

Vortex of Light (Ice Memoriam)
Vortex of Light (Ice Memoriam)

Poem from Myth of the Garbage Patch, “Vortex of Light (Ice Memoriam),” in Energy Culture: Art and Theory on Oil and Beyond, edited by Jeff Diamanti and Imre Szeman, West Virginia University Press, 2019.

From the Waterline
From the Waterline

Photo essay, “From the Waterline,” in Canadian Art, November 2018.

Plastic Bay
Plastic Bay

Photo essay, “Plastic Bay,” in SFMOMA’s Open Space, September 2018.

Polar Amplifications
Polar Amplifications

Essay, “Polar Amplifications,” in The New Inquiry, April 2018.

Blue Capitalism
Blue Capitalism

Photo essay, “Blue Capitalism,” in GUTS Canadian Feminist Magazine, May 2017.

On marine debris as a form of gendered violence
On marine debris as a form of gendered violence

Essay, “On Marine Debris as a Form of Gendered Violence,” on the UCLA Center for the Study of Women’s Chemical Entanglements blog, February 2017.

Art Amidst Disaster: Welcome to Microplastic Beach
Art Amidst Disaster: Welcome to Microplastic Beach

Photo essay, “Art Amidst Disaster: Welcome to Microplastic Beach,“ in National Geographic Explorers Journal, December 2016.

The Great Pacific Garbage Patch is Late Capitalism's Safe Deposit Box
The Great Pacific Garbage Patch is Late Capitalism's Safe Deposit Box

Photo essay, “The Great Pacific Garbage Patch is Late Capitalism's Safe Deposit Box,” in Blind Field Journal, October 2016.

Vortex of Light (Capital Accumulation in the Pelagic Zone)

“Vortex of Light (Capital Accumulation in the Pelagic Zone),” performance lecture at Petrocultures Conference, Memorial University of Newfoundland, September 2016.

HOW TO BE ON THE OUTSIDE OF EVERY INSIDE / HOW TO BE INSIDE EVERY OUTSIDE
HOW TO BE ON THE OUTSIDE OF EVERY INSIDE / HOW TO BE INSIDE EVERY OUTSIDE

Chapbook, HOW TO BE ON THE OUTSIDE OF EVERY INSIDE / HOW TO BE INSIDE EVERY OUTSIDE, on these signals press, 2016.

Closed Loop Dead Matter: How Trash in the Ocean Is Affecting Our Lives on Land
Closed Loop Dead Matter: How Trash in the Ocean Is Affecting Our Lives on Land

Essay, “Closed Loop Dead Matter: How Trash in the Ocean Is Affecting Our Lives on Land,” in GUTS Canadian Feminist Magazine, November 2015.

Myth of the Garbage Patch
Myth of the Garbage Patch

Essay, “Myth of the Garbage Patch,” in The New Inquiry, May 2015.

Panic Train
Panic Train

Chapbook, “Panic Train,” on Mondo Bummer, 2013.

The Toilers of the Sea
Keynote talk at the University of California, Davis Coastal and Marine Sciences Institute Symposium
Three poems in Space on Space
Review of "An Ocean Garden: The Secret Life of Seaweed" by Josie Iselin
Performance at Place Settings
Reading at Cruise Control Cambria
Interview on The Wednesday Investigations
Talk at Cal Poly San Luis Obispo
3 from Hold Fast at Geographic Indigenous Futures of the Salish Sea
Holding Sway and the Politics of Form
Talk at Gesellschaft für Anglophone Postkoloniale Studien (Association for Anglophone Postcolonial Studies') Annual Conference
Presentation at California Estuarine Research Society's Annual Conference
"Weird Tide," song in collaboration with Wind Tide (Andrew Weathers and Gretchen Korsmo)
Exhibition at Dörren: Det visionära tomrummet/The Door: the visionary void
Surfing the Tides of History in Northern Chumash Land
i am learning about space
from "Barnacle"
Tethers
Maya Weeks' Ph.D. Exit Seminar
Niche Oceanographers
from Purity Subscription
Artistic Research in Bodega Bay
Hold Fast (Temporary Painting)
from Plastic Martyr
Paintings in Two If By Sea
Reading from Myth of the Garbage Patch on Decentralized Sonic Quarantine Network
Presentation at UC Davis' Feminist Futures Research Symposium
Vortex of Light (Ice Memoriam)
From the Waterline
Plastic Bay
Polar Amplifications
Blue Capitalism
On marine debris as a form of gendered violence
Art Amidst Disaster: Welcome to Microplastic Beach
The Great Pacific Garbage Patch is Late Capitalism's Safe Deposit Box
Vortex of Light (Capital Accumulation in the Pelagic Zone)
HOW TO BE ON THE OUTSIDE OF EVERY INSIDE / HOW TO BE INSIDE EVERY OUTSIDE
Closed Loop Dead Matter: How Trash in the Ocean Is Affecting Our Lives on Land
Myth of the Garbage Patch
Panic Train
The Toilers of the Sea

I had the privilege of conversing with Andrew Chater for the introduction to Smith & Taylor's (an imprint of Unnamed Press) publication of Toilers of the Sea by Victor Hugo. Andrew Chater and I discussed collecting and industrial capitalism; many thanks to him, Allison Miriam Woodnut, and Cassidy Kuhle. The book is available now if you'd like to preorder it.

Keynote talk at the University of California, Davis Coastal and Marine Sciences Institute Symposium

I had the pleasure of giving a keynote talk at the University of California, Davis Coastal and Marine Sciences Institute's Spring 2024 Symposium. My talk was titled "Approaching the Unquantifiable: Creative Feminist Methods at the Water's Edge." Many thanks to Brooke Benson and Tracie Hayes for the invitation!

Three poems in Space on Space

I am grateful to have had three poems, "spontaneous land trust," "a vulture on every post," and "salt the leeches" published in Space on Space. These are from a new project on rural life, labor, love of person and place, and intergenerational healing work.

Review of "An Ocean Garden: The Secret Life of Seaweed" by Josie Iselin

I had the pleasure of reviewing Josie Iselin’s “An Ocean Garden: The Secret Life of Seaweed” (Oregon State University Press, 2023) for Humanties and Social Sciences Net Online. Many thanks to Daniella McCahey for commissioning me to write this!

Performance at Place Settings

I performed a piece on big-wave surfing, gender, and petrochemical imperialism at Place Settings in Los Angeles on January 17. The event was organized by Anya Ventura and Laura Nelson and reviewed at the Los Angeles Review of Books by Danielle Monique.

Reading at Cruise Control Cambria

I had the absolute pleasure of organizing and reading at a poetry reading at Cruise Control Cambria on November 19, 2023. Thanks to Gabriel Seaver, John Goodhue, Jordan Chesnut, and Kathryn deLancelotti for also reading, and to Charlie Smith for hosting us! Photo courtesy of Charlie Smith.

Interview on The Wednesday Investigations

Jeremy P. Bushnell interviewed me about my music, poetry, archival approaches, and relationship to the ocean for his series The Wednesday Investigations, published on November 8, 2023. Photo courtesy of Kris Daum.

Talk at Cal Poly San Luis Obispo

I gave a talk, “Sea-level Fingerprints, Perigean High Tides: Creative Feminist Approaches to Marine Science” in the Biology Seminar Series at Cal Poly San Luis Obispo on Friday, October 27, 2023. In this transdisciplinary talk, I discussed creative approaches to feminist marine science using concepts of relationality, world-ecology, and artistic research.

3 from Hold Fast at Geographic Indigenous Futures of the Salish Sea

I performed three excerpts from my manuscript Hold Fast at the 2023 Geographic Indigenous Futures Symposium, Geographic Indigenous Futures of the Salish Sea on July 6, 2023. Many thanks to Dr. Niiyokamigaabaw Deondre Smiles for the invitation!

Holding Sway and the Politics of Form

I co-edited, with Dr. Melody Jue, a collection of photo essays for the University of California Humanities Research Institute’s Foundry, Holding Sway: Seaweeds and the Politics of Form. These photo essays touch on Indigenous land and water management in the face of ongoing colonialism, legacies of militarism in the oceans, feminist friendships, and much more.

Talk at Gesellschaft für Anglophone Postkoloniale Studien (Association for Anglophone Postcolonial Studies') Annual Conference

Performance and talk on chapter from doctoral research, “Ecotoxicology: The Santa Barbara Channel, the California Current, and Invisible Violences,” connecting oil extraction and feminist political economy on colonized Chumash land. Photo: Maya Weeks.

Presentation at California Estuarine Research Society's Annual Conference

Presentation on preliminary research, “Seagrasses and Sound Pollution through a Feminist Lens,” on marine social science with creative methods at the California Estuarine Research Society’s Annual Conference as a California Sea Grant State Fellow, April 2023. Pictured, from left: Tanya Torres and Maya Weeks. Photo courtesy of Tanya Torres.

"Weird Tide," song in collaboration with Wind Tide (Andrew Weathers and Gretchen Korsmo)

Wind Tide invited me to collaborate with them by contributing vocals to a song on their album Sings. It’s called “Weird Tide.” The gorgeous album came out on Cached Media in November 2022.

Exhibition at Dörren: Det visionära tomrummet/The Door: the visionary void

I exhibited at Dörren: Det visionära tomrummet/The Door: the visionary void at Vague Research Studios in Gothenburg, Sweden from October 7-30, 2022. A conversation between myself and Dörren/The Door curator Dr. Kajsa G. Eriksson is online on Vague Research Studios’ website.

Surfing the Tides of History in Northern Chumash Land

Essay published in Zócalo Public Square, August 2022.

i am learning about space

A song with a music video, “i am learning about space,” has been published in POOL Magazine issue 7, Float, July 2022. The issue is for sale here and the video is available to stream for free here.

from "Barnacle"

An excerpt of a poem, “Barnacle,” from Hold Fast, a book of poetry I wrote for my doctoral research, in Paperbark Literary Magazine Issue 03, April 2022.

Tethers

Album, Tethers, out on Full Spectrum Records, December 2021. Available for purchase on Full Spectrum’s Bandcamp page as both a digital download and a limited edition cassette. Co-produced with Andrew Weathers with cover art by Gretchen Korsmo.

Maya Weeks' Ph.D. Exit Seminar

Ph.D. exit seminar on my doctoral dissertation using qualitative and artistic methods, “Death to Disposability: Marine Debris as Violence,” November 2021. Available to view here.

Niche Oceanographers

An excerpt from Hold Fast, “Niche Oceanographers,” in Smooth Friend, August 2021.

from Purity Subscription

An excerpt of a poem, “from Purity Subscription,” from Hold Fast, in issue 17 of g u e s t: a journal of guest editors, edited by Melanie Dennis Unrau, June 2021. Available for purchase here.

Artistic Research in Bodega Bay

Reflection on my artistic research in Bodega Bay as a Russell J. and Dorothy S. Bilinski Fellow at the Bodega Marine Laboratory on the UC Davis Coastal and Marine Sciences Institute’s blog, May 2021.

Hold Fast (Temporary Painting)

A poem from Hold Fast, “Hold Fast (Temporary Painting),” in Living Room Light Exchange’s Publication 5, Rare Earth: The Ground Is Not Digital, October 2020. Available for purchase here.

from Plastic Martyr

Excerpt of a poem, “Plastic Martyr,” from Myth of the Garbage Patch in Tarpaulin Sky Magazine, August 2020.

Paintings in Two If By Sea

Two paintings, “I Have Been Being Demanded To Be Absolutely Tuned In To My Intuition At All Times” and “Adult Lamprey Sighted in San Luis Obispo Creek, Cries ‘Loosen Up’“ in Two If By Sea: A Journal of Water, Volume One, July 2020.

Reading from Myth of the Garbage Patch on Decentralized Sonic Quarantine Network

Reading from Myth of the Garbage Patch on Decentralized Sonic Quarantine Network, March 2020.

Presentation at UC Davis' Feminist Futures Research Symposium

Presentation of excerpt from dissertation chapter, “Death to Disposability: Marine Debris as Violence,” at the UC Davis Feminist Research Institute’s Feminist Futures Research Symposium, January 2020. Pictured, from left: Maya Weeks, Mercedes Villalba, Anuj Vaidya, and moderator Clare Cannon. Photo: Maya Cruz.

Vortex of Light (Ice Memoriam)

Poem from Myth of the Garbage Patch, “Vortex of Light (Ice Memoriam),” in Energy Culture: Art and Theory on Oil and Beyond, edited by Jeff Diamanti and Imre Szeman, West Virginia University Press, 2019.

From the Waterline

Photo essay, “From the Waterline,” in Canadian Art, November 2018.

Plastic Bay

Photo essay, “Plastic Bay,” in SFMOMA’s Open Space, September 2018.

Polar Amplifications

Essay, “Polar Amplifications,” in The New Inquiry, April 2018.

Blue Capitalism

Photo essay, “Blue Capitalism,” in GUTS Canadian Feminist Magazine, May 2017.

On marine debris as a form of gendered violence

Essay, “On Marine Debris as a Form of Gendered Violence,” on the UCLA Center for the Study of Women’s Chemical Entanglements blog, February 2017.

Art Amidst Disaster: Welcome to Microplastic Beach

Photo essay, “Art Amidst Disaster: Welcome to Microplastic Beach,“ in National Geographic Explorers Journal, December 2016.

The Great Pacific Garbage Patch is Late Capitalism's Safe Deposit Box

Photo essay, “The Great Pacific Garbage Patch is Late Capitalism's Safe Deposit Box,” in Blind Field Journal, October 2016.

Vortex of Light (Capital Accumulation in the Pelagic Zone)

“Vortex of Light (Capital Accumulation in the Pelagic Zone),” performance lecture at Petrocultures Conference, Memorial University of Newfoundland, September 2016.

HOW TO BE ON THE OUTSIDE OF EVERY INSIDE / HOW TO BE INSIDE EVERY OUTSIDE

Chapbook, HOW TO BE ON THE OUTSIDE OF EVERY INSIDE / HOW TO BE INSIDE EVERY OUTSIDE, on these signals press, 2016.

Closed Loop Dead Matter: How Trash in the Ocean Is Affecting Our Lives on Land

Essay, “Closed Loop Dead Matter: How Trash in the Ocean Is Affecting Our Lives on Land,” in GUTS Canadian Feminist Magazine, November 2015.

Myth of the Garbage Patch

Essay, “Myth of the Garbage Patch,” in The New Inquiry, May 2015.

Panic Train

Chapbook, “Panic Train,” on Mondo Bummer, 2013.

show thumbnails